When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. Originally, the family was conceived as a set of corporate fonts for a large client - who in the end decided to go in different stylistic direction, so the family became available for a public release.
In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve.